| West
Virginia's poet laureate tells insightful,
often-funny stories about her working farm
upbringing, mixed with stunning poems that peel back
the surface of ordinary things. Delightful glimpses
of an ornery little girl in a working farm
community. Penetrating observations about modern
life. Thought-provoking and moving. As Pinckney
Benedict says, "This woman should be internationally
famous."
Glimpses from readings:
- the little girl who wants to sleep naked in
the barn with the animals
- the divorced woman who plans to use both
gravesites for herself
- the dying father whose "mind is like a flapping
line of laundry."
Personal: Born and lives in
Barbour County on farm owned by family since 18th
century. Divorced, two children.
Publications: The Girl with
the Stone in Her Lap, North Atlantic Books 1976,
Wasps at the Blue Hexagon, Small Plots Press 1984;
Quick Fire Slow Fire, North Atlantic Books 1988; Six
O'Clock Mine Report, University of Pittsburgh Press
1989; Editor of Backcountry: Contemporary Writing in
West Virginia , West Virginia University Press 2002.
Education and Career: BA
West Virginia Wesleyan College 1968; MA West
Virginia University 1970, Ph.D. University of Utah
1980. Teaching positions (chronological) Western
Washington University, Potomac State College (WV),
University of California at Santa Cruz, University
of Utah, Hamilton College (NY), West Virginia
Wesleyan (professor), University of New Mexico
(visiting). Co-founder and editor with Maggie
Anderson of poetry journal Trellis. Assistant Editor
Quarterly West. Active writer-in residence,
lecturer, speaker.
Awards: National Endowment
for the Arts Fellowship in Poetry, Poet Laureate of
West Virginia, WV Commission on the Arts Fellowship
in Poetry, Utah Arts Council Prize Award in Fiction,
Cincinnati Review Annual Poetry Prize, Appalachian
Mellon Fellowship from University of Virginia,
MacDowell and Breadloaf Fellowships.
Reviewers' Comments:
- "This beloved grief of connectedness occurs as a
motif throughout this collection ... Even in
isolation from one another, most of the poems are
memorable; the passion that emerges as one reflects
another as one reflects another compounds that
virtue." (New Letters / Review of Books)
- "A beautifully-crafted voice is at work here in
the rhythmic language of authority that knows a
thing and a place well.. This honest, natural voice
relies on no tricks, no poetic posturing. When
McKinney writes of the mines, the landscape is a
body." (Hungry Mind Review)
- "McKinney is an important contemporary West
Virginia poet whose appreciation for Appalachia
shines brightly through her work. In many of her
poems, she creates powerful images of the region
that leave us greatly impacted by the passion and
admiration she feels for this oft-maligned corner of
America." (Megan Valentine)
Excerpts about writing from IN
THEIR OWN COUNTRY: "When I was a little girl,
this farm was the entire world to me. I think in the
popular imagination, when people talk about living
on a self-sufficient farm or nearly self-sufficient
farm, the myth in America is that that was heaven,
that that was all rosy and all good and all
positive. And of course, nothing with life in it is
every all positive. That's totally insane. I don't
know where we ever got that idea."
**
"...Any time anyone would ask me,
'What are you going to be when you grow up? I would
say, 'I am going to be a writer! And I think I told
them that before I had written very much at all. I
stated certain fantasies and made certain fantasies
come true".
**
"The poet Gary Snyder was very
important to me. He made me feel I had permission to
write about rural life. So many of the poems I was
reading were about city life or didn't seem to take
into account the natural world in any way. Or if it
did take into account the natural world, it was like
a decoration. It was something in the background.
But tome, the natural world was in the foreground.
When I would go down to the barn and spend time with
the cattle, with the workhorses - also we usually
had some hound dogs down there - these were
important characters in my life. And their life
processes were important to me.
Gary Snyder made me suddenly realize
that I could write about that, that I could bring
that into my poems."
**
"It's a great labor to write in an
original way, to mine this stuff and bring it up to
the surface and do something with it, turn it into
fuel or whatever.".."In certain kinds of very
intense lyric poetry, the poem knows better than I
do".."I think, probably for those of us who write,
we've made a decision sometime in our lives, either
consciously or unconsciously, that this is the way
we're going to understand the world"...
See also:
A Directory of American Poets and Fiction
Writers: NY Poets and Writers 1997
Program Music performed
by: Bob Webb |